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Vol. 23, No. 2, Summer 2009
Published by: The University of Chicago Press on behalf of the Smithsonian American Art Museum
Issue Stable URL: http://www.jstor.org/stable/10.1086/605712
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Table of Contents

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  1. Commentaries
    1. No Access
      Art and Science in America(pp. 2-9)  
      Rachael Z. DeLue
      DOI: 10.1086/605702
      Stable URL: http://www.jstor.org/stable/10.1086/605702
    2. No Access
      The Two Enlightenments(pp. 10-12)  
      Michael Gaudio
      DOI: 10.1086/605703
      Stable URL: http://www.jstor.org/stable/10.1086/605703
    3. No Access
      Darwin’s Ear and Artistic Convergences in the 1870s(pp. 12-15)  
      Katherine E. Manthorne
      DOI: 10.1086/605704
      Stable URL: http://www.jstor.org/stable/10.1086/605704
    4. No Access
      The Great American Experiment(pp. 16-20)  
      Claire Perry
      DOI: 10.1086/605705
      Stable URL: http://www.jstor.org/stable/10.1086/605705
    5. No Access
      Color Theory and the Perception of Art(pp. 21-24)  
      Peter John Brownlee
      DOI: 10.1086/605706
      Stable URL: http://www.jstor.org/stable/10.1086/605706
    6. No Access
      Ecocritical Art History(pp. 24-28)  
      Alan C. Braddock
      DOI: 10.1086/605707
      Stable URL: http://www.jstor.org/stable/10.1086/605707
    7. No Access
      Digitization, Genetics, and the Defacement of Portraiture(pp. 28-31)  
      Anne Collins Goodyear
      DOI: 10.1086/605708
      Stable URL: http://www.jstor.org/stable/10.1086/605708
  2. Interview
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      Fieldwork: A Conversation with Mark Dion(pp. 32-53)  
      Joanna Marsh
      DOI: 10.1086/605713
      Stable URL: http://www.jstor.org/stable/10.1086/605713
  3. Feature Articles
    1. No Access
      Telling Tales: Georgia O’Keeffe on Georgia O’Keeffe(pp. 54-79)  
      Wanda M. Corn
      DOI: 10.1086/605709
      Stable URL: http://www.jstor.org/stable/10.1086/605709
    2. No Access
      Reform in Redface: The Taos Society of Artists Plays Indian(pp. 80-107)  
      John Ott
      DOI: 10.1086/605710
      Stable URL: http://www.jstor.org/stable/10.1086/605710
    3. No Access
      Putting the “Rip” in “Rip Van Winkle”: Historical Absence in John Quidor’s Paired Paintings(pp. 108-130)  
      Wendy Ikemoto
      DOI: 10.1086/605711
      Stable URL: http://www.jstor.org/stable/10.1086/605711
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