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Frederick Douglass’s Camera Obscura: Representing the Antislave “Clothed and in Their Own Form”
Henry Louis Gates Jr.
Vol. 42, No. 1 (Autumn 2015), pp. 31-60
Published by: The University of Chicago Press
Stable URL: http://www.jstor.org/stable/10.1086/682995
Page Count: 30
You can always find the topics here!Topics: African Americans, Slavery, Photography, Photographs, Cameras, Political rhetoric, Humans, Images, Abolitionism, Art photography
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