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Acts of Erasure: The Limits of the Image in Naomi Uman’s Early Films

Ofer Eliaz
Discourse
Vol. 36, No. 2 (Spring 2014), pp. 207-231
DOI: 10.13110/discourse.36.2.0207
Stable URL: http://www.jstor.org/stable/10.13110/discourse.36.2.0207
Page Count: 25
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Acts of Erasure: The Limits of the Image in Naomi Uman’s Early Films
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