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Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow's Cinema
Vol. 64, No. 2 (Winter 2010), pp. 33-43
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2010.64.2.33
Page Count: 11
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Kathryn Bigelow's eight feature films all seek a balance between progressive representations of gender and race and the demands of commercial filmmaking. Close attention to the filmmaker's experiments with duration and camera technology reveals her interest in reworking Hollywood conventions to critique conventionally masculinist genres.
Film Quarterly © 2010 University of California Press