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Rossellini's Pictorial Histories
Vol. 64, No. 3 (Spring 2011), pp. 25-36
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2011.64.3.25
Page Count: 12
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A survey of Roberto Rossellini's filmmaking career with particular emphasis on the continuities and differences between the World War II films of his early career and the later dramatization of an older scientific, religious, and political history.
Film Quarterly © 2011 University of California Press