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Fatih Akin's Cinema of Intersections

Noah Isenberg
Film Quarterly
Vol. 64, No. 4 (Summer 2011), pp. 53-61
DOI: 10.1525/fq.2011.64.4.53
Stable URL: http://www.jstor.org/stable/10.1525/fq.2011.64.4.53
Page Count: 9
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Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Fatih Akin's Cinema of Intersections
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Abstract

A career survey of the work of Turkish German director Fatih Akin, whose films (notably The Edge of Heaven and Soul Kitchen) combine comedy with darker notes, emphasizing the theme of dual identity and paying particular attention to the use of music.

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