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Fatih Akin's Cinema of Intersections
Vol. 64, No. 4 (Summer 2011), pp. 53-61
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2011.64.4.53
Page Count: 9
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A career survey of the work of Turkish German director Fatih Akin, whose films (notably The Edge of Heaven and Soul Kitchen) combine comedy with darker notes, emphasizing the theme of dual identity and paying particular attention to the use of music.
Film Quarterly © 2011 University of California Press