You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
A Gray Zone between Documentary and Fiction: Interview with Janus Metz
Vol. 65, No. 1 (Fall 2011), pp. 17-24
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2011.65.1.17
Page Count: 8
You can always find the topics here!Topics: Soldiers, Movies, Photographic film, Documentary films, War, Film criticism, Armadillos, Cameras, Military alliances, Mythology
Were these topics helpful?See something inaccurate? Let us know!
Select the topics that are inaccurate.
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
Janus Metz discusses his award-winning film Armadillo (2010), which he shot while embedded with a platoon of Danish soldiers in Afghanistan's Helmand province. He locates the film within the discourse of the War on Terror, the possibilities of documentary style, and the mythologies of war narratives.
Film Quarterly © 2011 University of California Press