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Strike Up the Band
Departures in Critical Qualitative Research
Vol. 3, No. 1 (Spring 2014), pp. 19-22
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/dcqr.2014.3.1.19
Page Count: 4
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Terry Galloway, a writer and performer deaf since age nine, examines her relationship to theater three years after a cochlear implant restored her hearing and prompted her to write a musical.
© 2014 The Regents of the University of California