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Laughter Dark & Joyous in Recent Films from the Former Yugoslavia

Andrew Horton
Film Quarterly
Vol. 56, No. 1 (Fall 2002), pp. 23-28
DOI: 10.1525/fq.2002.56.1.23
Stable URL: http://www.jstor.org/stable/10.1525/fq.2002.56.1.23
Page Count: 6
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Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Laughter Dark & Joyous in Recent Films from the Former Yugoslavia
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Abstract

Studying recent films from the former republics of Yugoslavia, Andrew Horton examines how film-makers depict important issues and themes of the times through humor. Focusing particularly on Goran Paskaljevic's award-winning Cabaret Balkan (1998), which is set in Belgrade during the Bosnian War and weaves a variety of narratives "framed" within a cabaret, Horton places these recent films in a larger context of Yugoslav culture. He draws connections between Balkan comedy and a Yugoslav tradition of satirical theater and poetry, where humor—particularly laughter, dark and joyous—is used to illustrate pressing social and political issues.

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