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Vol. 59, No. 4 (Summer 2006), pp. 35-39
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2006.59.4.35
Page Count: 5
You can always find the topics here!Topics: Movies, Surveillance, Violence, Motion picture industry, Parents, French literature, Childhood, Sons, Thrillers, Literary criticism
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ABSTRACT In Michael Haneke's Caché, a successful bourgeois couple is harassed by an unknown perpetrator who delivers surveillance videos of their home to them. By allegorizing the dilemma of postcolonial France through an Oedipal drama of suspicion, betrayal, and deception, Haneke sets the stage for a taut thriller that pivots upon the return of the barely repressed.
Film Quarterly © 2006 University of California Press