Access

You are not currently logged in.

Access your personal account or get JSTOR access through your library or other institution:

login

Log in to your personal account or through your institution.

If You Use a Screen Reader

This content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.

On the Universality of Brokeback

D.A. Miller
Film Quarterly
Vol. 60, No. 3 (Spring 2007), pp. 50-60
DOI: 10.1525/fq.2007.60.3.50
Stable URL: http://www.jstor.org/stable/10.1525/fq.2007.60.3.50
Page Count: 11
  • Read Online (Free)
  • Download ($22.00)
  • Subscribe ($19.50)
  • Cite this Item
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
On the Universality of Brokeback
Preview not available

Abstract

ABSTRACT Critics of Ang Lee's gay-themed Western may or may not condone homosexuality, but they agree on one point:this movie of cowboys in love is well made.The essay unpacks what this perception implies about Lee's craft, as an art of reticence and a politics of neutrality.

Page Thumbnails

  • Thumbnail: Page 
1
    1
  • Thumbnail: Page 
2
    2
  • Thumbnail: Page 
3
    3
  • Thumbnail: Page 
4
    4
  • Thumbnail: Page 
5
    5
  • Thumbnail: Page 
6
    6
  • Thumbnail: Page 
7
    7
  • Thumbnail: Page 
8
    8
  • Thumbnail: Page 
9
    9
  • Thumbnail: Page 
10
    10
  • Thumbnail: Page 
11
    11