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On the Universality of Brokeback
Vol. 60, No. 3 (Spring 2007), pp. 50-60
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2007.60.3.50
Page Count: 11
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ABSTRACT Critics of Ang Lee's gay-themed Western may or may not condone homosexuality, but they agree on one point:this movie of cowboys in love is well made.The essay unpacks what this perception implies about Lee's craft, as an art of reticence and a politics of neutrality.
Film Quarterly © 2007 University of California Press