You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films
Vol. 61, No. 1 (Fall 2007), pp. 16-22
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2007.61.1.16
Page Count: 7
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
ABSTRACT Though the two films seem rather different—Bruno Dumont's Flanders dealing with an imaginary contemporary war, Rachid Bouchareb's Days of Glory concerned with forgotten incidents in World War II—the argument of this essay is that they share a sense, somewhat unusual among recent French filmmakers, of the political power of cinema.
Film Quarterly © 2007 University of California Press