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Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films

Emma Wilson
Film Quarterly
Vol. 61, No. 1 (Fall 2007), pp. 16-22
DOI: 10.1525/fq.2007.61.1.16
Stable URL: http://www.jstor.org/stable/10.1525/fq.2007.61.1.16
Page Count: 7
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Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films
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Abstract

ABSTRACT Though the two films seem rather different—Bruno Dumont's Flanders dealing with an imaginary contemporary war, Rachid Bouchareb's Days of Glory concerned with forgotten incidents in World War II—the argument of this essay is that they share a sense, somewhat unusual among recent French filmmakers, of the political power of cinema.

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