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Yasmin Ahmad's “Orked” Trilogy
Vol. 62, No. 3 (Spring 2009), pp. 48-53
Published by: University of California Press
Stable URL: http://www.jstor.org/stable/10.1525/fq.2009.62.3.48
Page Count: 6
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Abstract Sepet (2004), the sequel Gubra (2006), and prequel Mukhsin (2006), directed by Yasmin Ahmad, narrate the three major relationships of Orked, a Muslim girl in Malaysia negotiating them at different points in her life. The essay considers Ahmad's cinephilia and sentimental style, and their relation to the trilogy's postcolonial themes.
Film Quarterly © 2009 University of California Press