Front Matter
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Table of Contents
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PREFACE
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Introduction:: My Wonderful World; or, Dismembering the Triad
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Non-Nationalists, and Other Nationalists
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Revenants
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Crowd, Mob, and Nation in Boris Godunov:: What Did Musorgsky Think, and Does It Matter?
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Catching Up with Rimsky-Korsakov
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Not Modern and Loving It
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Written for Elephants:: Notes on Rach 3
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Is There a “Russia Abroad” in Music?
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Turania Revisited, with Lourié My Guide
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The Ghetto and the Imperium
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Two Serendipities:: Keynoting a Conference, “Music and Power”
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What’s an Awful Song Like You Doing in a Nice Piece Like This?: The Finale in Prokofieff’s Symphony-Concerto, Op. 125
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The Birth of Contemporary Russia out of the Spirit of Music (Not)
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Just How Russian Was Stravinsky?
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How The Rite Became Possible
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Diaghilev without Stravinsky?: Stravinsky without Diaghilev?
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Resisting The Rite
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Stravinsky’s Poetics and Russian Music
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Did He Mean It?
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In Stravinsky’s Songs, the True Man, No Ghostwriters
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“Un Cadeau Très Macabre”
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INDEX
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