Front Matter
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Table of Contents
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List of Illustrations
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Acknowledgements
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INTRODUCTION.: Re-imagining East German Cinema
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The State-Owned Cinema Industry and Its Audience
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History and Subjectivity:: The Evolution of DEFA Film Music
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‘Fatal Attractions’:: Modernist Set Design and the East–West Divide in DEFA Films of the 1950s and early 1960s
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DEFA and the Legacy of ‘Film Europe’:: Prestige, Institutional Exchange and Film Co-Productions
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Betting on Entertainment:: The Cold War Scandal of Spielbank-Affäre [Casino Affair, 1957]
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‘Operación Silencio’:: Studio H&S’s Chile Cycle as Latin American Third Cinema
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Deconstructing Orientalism:: DEFA’s Fictions of East Asia
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Transnational Stardom:: DEFA’s Management of Dean Reed
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Walter Felsenstein and the DEFA Opera Film
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Dreams of ‘Cosmic Culture’ in Der schweigende Stern [The Silent Star, 1960]
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The DEFA Indianerfilm:: Narrating the Postcolonial through Gojko Mitic
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Defining Socialist Children’s Films, Defining Socialist Childhoods
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DEFA’s Last Gasp:: Ruins, Melancholy and the End of East German Filmmaking
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DEFA’s Antifascist Myth Revisited.: KLK an PTX – Die Rote Kapelle [KLK calling PTX – The Red Orchestra, 1971]
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DEFA’s Afterimages:: Looking back at the East from the West in Das Leben der Anderen [The Lives of Others, 2006] and Barbara (2012)
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Select Bibliography
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Index
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