Introduction:
Movies in America
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Politics, Authorship and History: the Production, Reception and Marginalization of
Street Scenes 1970
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“In the Interest of the Moral Life of our City”: The Beginning of Motion Picture Censorship in Portland, Oregon
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Dissent and Consent in the “Good War”: Hedda Hopper, Hollywood Gossip, and World War II Isolationism
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Cutting Koerners: Floyd Odlum, the Atlas Corporation and the Dismissal of Orson Welles from RKO
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“Seventeen Happy Days” in Hollywood: Selig Polyscope's Promotional Campaign for the Movie Special of July 1915
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Subversion, Desperation and Captivity: Pre-film Advertising in American Film Exhibition Since 1977
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The Russians Are Coming The Russians Are Coming
(1966): Reconsidering Hollywood's Cold War “Turn” of the 1960s
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