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The Creation and Construction of Asian Cinema Redux
Abé Mark Nornes
Vol. 25, No. 1-2, “Inquiries, Speculations, Provocations” (2013), pp. 175-187
Published by: Indiana University Press
Stable URL: http://www.jstor.org/stable/10.2979/filmhistory.25.1-2.175
Page Count: 13
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ABSTRACT This article looks back to the first book imagining an “Asian cinema,” which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a regionalization of film history.
© 2013 Trustees of Indiana University