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The “Transatlantic” and Late Nineteenth-Century American Women's Humor
Margaret D. Stetz
Studies in American Humor
Vol. 1, No. 1 (2015), pp. 1-19
Published by: Penn State University Press
Stable URL: http://www.jstor.org/stable/10.5325/studamerhumor.1.1.0001
Page Count: 19
You can always find the topics here!Topics: Poetry, Humor, Literary criticism, Womens rights, American literature, Humorists, Womens songs, Narrative poetry, British literature, Sandwiches
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For many years, scholars wrongly characterized nineteenth-century American humor as having been an exclusively masculine preserve. When feminist historians corrected this error, they also introduced a new one, defining women's humor writing in too narrow a fashion—that is, as limited to the vernacular mode. Some late nineteenth-century American women's comic poetry and autobiographical fiction, however, also embraced a sophisticated voice that derived from and responded to British models. These works—by figures such as Ella Wheeler Wilcox, Frances Hodgson Burnett, Helen Gray Cone, and Carolyn Wells—positioned themselves as part of a transatlantic tradition of literary wit. Reviving and reconsidering these overlooked and unjustly neglected texts today will allow us to remap the landscape of American humor studies.
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