You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Lakon Karangan: The Legacy of Ki Nartosabdho in Banyumas, Central Java
Asian Theatre Journal
Vol. 18, No. 1, Special Issue on Puppetry (Spring, 2001), pp. 105-112
Published by: University of Hawai'i Press
Stable URL: http://www.jstor.org/stable/1124268
Page Count: 8
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
The changes in wayang kulit purwa, shadow puppetry of Central Java, have been significant since independence was declared in 1945. Ki Nartosabdho was one of the most important performers in the last quarter of the twentieth century. This article explores Nartosabdho's impact and, by examining Sugino, a dalang who has followed Nartosabdho's lead, the author gives a sense of the debate of tradition versus modernity that rages in the world of wayang. Robert Petersen did graduate work at the University of California-Santa Cruz, Brown University, and the University of Hawai'i at Manoa, where he is a Ph. D. candidate, and has done research in Indonesia under a Fulbright scholarship. He teaches art and theatre at Eastern Illinois University and has written for The Drama Review, Theatre Insight, and Theatre Survey.
Asian Theatre Journal © 2001 University of Hawai'i Press