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The Anatomy of a Proletarian Film: Warner's "Marked Woman"

Charles W. Eckert
Film Quarterly
Vol. 27, No. 2 (Winter, 1973-1974), pp. 10-24
DOI: 10.2307/1211557
Stable URL: http://www.jstor.org/stable/1211557
Page Count: 15
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The Anatomy of a Proletarian Film: Warner's "Marked Woman"
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