Access

You are not currently logged in.

Access your personal account or get JSTOR access through your library or other institution:

login

Log in to your personal account or through your institution.

If You Use a Screen Reader

This content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.

Film and the Performance Frame

James Naremore
Film Quarterly
Vol. 38, No. 2 (Winter, 1984-1985), pp. 8-15
DOI: 10.2307/1212217
Stable URL: http://www.jstor.org/stable/1212217
Page Count: 8
  • Read Online (Free)
  • Subscribe ($19.50)
  • Cite this Item
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Film and the Performance Frame
Preview not available

Abstract

How the Tramp's first-ever appearance in "Kid Auto Races" points to two fundamental modes of film acting, traceable to Breathless and Lightning Over Water.

Page Thumbnails

  • Thumbnail: Page 
8
    8
  • Thumbnail: Page 
9
    9
  • Thumbnail: Page 
10
    10
  • Thumbnail: Page 
11
    11
  • Thumbnail: Page 
12
    12
  • Thumbnail: Page 
13
    13
  • Thumbnail: Page 
14
    14
  • Thumbnail: Page 
15
    15