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Film and the Performance Frame

James Naremore
Film Quarterly
Vol. 38, No. 2 (Winter, 1984-1985), pp. 8-15
DOI: 10.2307/1212217
Stable URL: http://www.jstor.org/stable/1212217
Page Count: 8
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Film and the Performance Frame
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Abstract

How the Tramp's first-ever appearance in "Kid Auto Races" points to two fundamental modes of film acting, traceable to Breathless and Lightning Over Water.

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