You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
Preview not available
This essay investigates the way in which a film can be said to describe rather than simply to show an environment as background to action. The problem arises because film, unlike print, operates in the audience's real time, and hence suggests that "story-time" (the time of the fictional events depicted) is always passing, whereas genuine description in novels evokes the sense of a pause in the story. Examples of description from narrative fiction and film (Antonioni) are given by way of demonstration.
Cinema Journal © 1984 University of Texas Press