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Fred Astaire and the Integrated Musical
Vol. 24, No. 1 (Autumn, 1984), pp. 28-40
Stable URL: http://www.jstor.org/stable/1225307
Page Count: 13
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A method for distinguishing the plot relevance of various kinds of musical numbers is suggested. The contribution of Fred Astaire to the development of the integrated musical is assessed with emphasis on the remarkable story-telling aspects of his choreography, and it is concluded that he was probably the first meaningfully to integrate dance into musicals.
Cinema Journal © 1984 University of Texas Press