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Visible Difference and Flex Appeal: The Body, Sex, Sexuality, and Race in the "Pumping Iron" Films

Christine Anne Holmlund
Cinema Journal
Vol. 28, No. 4 (Summer, 1989), pp. 38-51
DOI: 10.2307/1225394
Stable URL: http://www.jstor.org/stable/1225394
Page Count: 14
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Visible Difference and Flex Appeal: The Body, Sex, Sexuality, and Race in the "Pumping Iron" Films
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