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"The Only 'I' in the World": Religion, Psychoanalysis, and "The Dybbuk"

Ira Konigsberg
Cinema Journal
Vol. 36, No. 4 (Summer, 1997), pp. 22-42
DOI: 10.2307/1225611
Stable URL: http://www.jstor.org/stable/1225611
Page Count: 21
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"The Only 'I' in the World": Religion, Psychoanalysis, and "The Dybbuk"
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Abstract

The recently restored film "The Dybbuk" recreates an Eastern European Jewish culture wiped out by the Nazis while providing extraordinary insights into religion in general and the mystical tradition of Judaism with its male and female Godhead.

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