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Postmodern Double Cross: Reading David Cronenberg's "M. Butterfly" as a Horror Story

Asuman Suner
Cinema Journal
Vol. 37, No. 2 (Winter, 1998), pp. 49-64
DOI: 10.2307/1225642
Stable URL: http://www.jstor.org/stable/1225642
Page Count: 16
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Postmodern Double Cross: Reading David Cronenberg's "M. Butterfly" as a Horror Story
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Abstract

In light of recent developments in feminist and postcolonial theory, the genre conventions of "M. Butterfly" remain consistent with David Cronenberg's earlier style of horror film.

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