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The Public and Private Lives of a Sentimental Bloke

David Boyd
Cinema Journal
Vol. 37, No. 4 (Summer, 1998), pp. 3-18
DOI: 10.2307/1225724
Stable URL: http://www.jstor.org/stable/1225724
Page Count: 16
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The Public and Private Lives of a Sentimental Bloke
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Abstract

The Australian film "The Sentimental Bloke" (1919) illustrates the complex relationship between changing modes of cinematic spectatorship and the specific social and cultural contexts of a film's circulation.

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