Access

You are not currently logged in.

Access your personal account or get JSTOR access through your library or other institution:

login

Log in to your personal account or through your institution.

If you need an accessible version of this item please contact JSTOR User Support

Working like a Homosexual: Camp Visual Codes and the Labor of Gay Subjects in the MGM Freed Unit

Matthew Tinkcom
Cinema Journal
Vol. 35, No. 2 (Winter, 1996), pp. 24-42
DOI: 10.2307/1225754
Stable URL: http://www.jstor.org/stable/1225754
Page Count: 19
  • Subscribe ($19.50)
  • Cite this Item
If you need an accessible version of this item please contact JSTOR User Support
Working like a Homosexual: Camp Visual Codes and the Labor of Gay Subjects in the MGM Freed Unit
Preview not available

Abstract

Camp, largely understood as a reception practice, may be invoked as a production practice to understand stylistic influences in musical films produced at MGM by the Freed Unit.

Page Thumbnails

  • Thumbnail: Page 
24
    24
  • Thumbnail: Page 
25
    25
  • Thumbnail: Page 
26
    26
  • Thumbnail: Page 
27
    27
  • Thumbnail: Page 
28
    28
  • Thumbnail: Page 
29
    29
  • Thumbnail: Page 
30
    30
  • Thumbnail: Page 
31
    31
  • Thumbnail: Page 
32
    32
  • Thumbnail: Page 
33
    33
  • Thumbnail: Page 
34
    34
  • Thumbnail: Page 
35
    35
  • Thumbnail: Page 
36
    36
  • Thumbnail: Page 
37
    37
  • Thumbnail: Page 
38
    38
  • Thumbnail: Page 
39
    39
  • Thumbnail: Page 
40
    40
  • Thumbnail: Page 
41
    41
  • Thumbnail: Page 
42
    42