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The Changing Face of the Temple of Janus in Mantegna's "The Prisoners": Politics and the Patronage of the "Triumphs of Caesar"
Zeitschrift für Kunstgeschichte
55. Bd., H. 2 (1992), pp. 268-274
Published by: Deutscher Kunstverlag GmbH Munchen Berlin
Stable URL: http://www.jstor.org/stable/1482614
Page Count: 7