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The Changing Face of the Temple of Janus in Mantegna's "The Prisoners": Politics and the Patronage of the "Triumphs of Caesar"

Richard Cocke
Zeitschrift für Kunstgeschichte
55. Bd., H. 2 (1992), pp. 268-274
DOI: 10.2307/1482614
Stable URL: http://www.jstor.org/stable/1482614
Page Count: 7
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The Changing Face of the Temple of Janus in Mantegna's
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