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Between Now and Then: The Auto-Interview of a Lapsed Musician
Leonardo Music Journal
Vol. 11, Not Necessarily "English Music": Britain's Second Golden Age (2001), pp. 35-42
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/1513425
Page Count: 8
You can always find the topics here!Topics: Cybernetics, Musical structure, Musical performance, Music, Electronic music, Musical rhythm, Composers, Sound, Music composition, Sound pitch
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The author reflects on his experiences in the English experimental music scene of the 1960s and early 1970s, describing the limitations and possibilities he and his colleagues encountered and the results that followed from them. He also discusses the connections and discontinuities between this musical work and his current career in cybernetics. This discussion takes the form of a dialogue between his past self, the experimental composer, and his present identity as a researcher in cybernetics.
Leonardo Music Journal © 2001 The MIT Press