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About My Highly Abstract Figurative Paintings of 1970-1978

Dunbar Marshall-Malagola
Leonardo
Vol. 12, No. 1 (Winter, 1979), pp. 5-8
Published by: The MIT Press
DOI: 10.2307/1574075
Stable URL: http://www.jstor.org/stable/1574075
Page Count: 5
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About My Highly Abstract Figurative Paintings of 1970-1978
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Abstract

The author, a painter and Secretary-General of the International Association of Art, tells of his lasting preoccupation with the visual arts and with their values, in general. He presents some of his recent paintings whose figuration, while seemingly highly abstracted, draws exclusively upon visual memory, and he describes his motivation and the thoughts that surround them before, during and after execution. He attempts to situate his work as a painter in the larger social context in which he is called to serve through the Association.

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