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Formal Records of the Use of Time and Movement through Space: A Conceptual and Visual Series of Artworks

Morgan O'Hara and Susan Hewitt
Leonardo
Vol. 16, No. 4 (Autumn, 1983), pp. 265-272
Published by: The MIT Press
DOI: 10.2307/1574951
Stable URL: http://www.jstor.org/stable/1574951
Page Count: 9
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Abstract

Morgan O'Hara's work uses her own life experiences and those of others in a personal, integrative, collaborative approach. The authors trace the development of this continuing series of artworks which is conceptually based and visually expressed in charts, maps and drawings.

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