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Holographic Space: A Historical View and Some Personal Experiences

Dieter Jung
Leonardo
Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue (1989), pp. 331-336
Published by: MIT Press
DOI: 10.2307/1575388
Stable URL: http://www.jstor.org/stable/1575388
Page Count: 6
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Abstract

The author describes his approach to, and the history of, spatial imaging as a woven carpet, where warp and weft interfere as material and immaterial structures. He observes various scientific and artistic techniques in different epochs and cultures, which bring to light some interdependencies of ancient visions and new perceptions of technology and art.

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