You are not currently logged in.
Access JSTOR through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
The Influence of Titles on How Paintings Are Seen
Margery B. Franklin, Robert C. Becklen and Charlotte L. Doyle
Vol. 26, No. 2 (1993), pp. 103-108
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/1575894
Page Count: 6
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
Recently, aestheticians have become interested in questions about title/artwork relations. Following a brief discussion of issues, the authors report on a study that explored how viewers responded to a painting under different titling conditions. Viewing the projected image of a painting while hearing the title spoken, individual subjects talked about what they were seeing and used a flashlight pointer to indicate where they were looking. In this study, the change of titles affected individuals' interpretive readings, as determined by their descriptions of the paintings, but not where they looked. These findings suggest that with change of title, spatial organization may remain relatively stable while other aspects of the person's experience of the painting change. The authors suggest that the findings of this kind of research bear on broader theoretical issues of word/image relations as well as questions about how to display art in public places.
Leonardo © 1993 Leonardo