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Interactive Graphics: The Quasi-Infernal Aspect of Creation and Perception

Roman Ilinski and Marina Iskander
Leonardo
Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 403-404
Published by: The MIT Press
DOI: 10.2307/1576096
Stable URL: http://www.jstor.org/stable/1576096
Page Count: 2
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Abstract

Roman Ilinski's synthesized pictures provide the basis for a discussion of the specific influence of computer technology on the development of graphic art. The unpredictable character of computer art gives rise to extraordinary visual effects; however, the search for these effects cannot replace the traditional act of creation.

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