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The Outsider Art of Burning Man

LadyBee
Leonardo
Vol. 36, No. 5 (2003), pp. 343-348
Published by: The MIT Press
Stable URL: http://www.jstor.org/stable/1577497
Page Count: 6
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Abstract

The author describes art installations featured at the annual Burning Man event in Black Rock City, Nevada. Burning Man is community based, collaborative and interactive and attracts a unique community of artists, performers and free spirits. The goal of the event is to remove the artist from the world of commerce and competition, emphasizing instead collaboration, cooperation and shared experience.

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