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The Hanging Mobile: A Historical Review

Henri Gabriel
Leonardo
Vol. 18, No. 1 (1985), pp. 39-44
Published by: The MIT Press
DOI: 10.2307/1578093
Stable URL: http://www.jstor.org/stable/1578093
Page Count: 6
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Abstract

The author traces the evolution of the mobile, from its pioneer days to 1983, noting the works of various artists, often of divergent interests, who express themselves through mobile art. He indicates that, although the mobile is only marginally accepted as a legitimate art form by devotees of art, it has nevertheless slowly, in various forms, become part of our daily life.

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