You are not currently logged in.
Access your personal account or get JSTOR access through your library or other institution:
If You Use a Screen ReaderThis content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Colour in the Garden: 'Malignant Magenta'
Susan W. Lanman
Vol. 28, No. 2 (Winter, 2000), pp. 209-221
Published by: The Garden History Society
Stable URL: http://www.jstor.org/stable/1587270
Page Count: 13
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Preview not available
A single colour, 'malignant magenta', provides an opportunity to explore the relationship between industrial development and garden aesthetics. A brief history of the links between aniline dyes, arsenic-based insecticides, pollution and gardens in the nineteenth century help in the understanding of why magenta embodied 'industrial colour' for those concerned with the negative consequences of industrialization. The work of John Ruskin, William Morris and Gertrude Jekyll offers subtle and discerning perspectives on the social meaning of colour use. Their work influenced American women writing about gardens as well as those seeking meaningful work consistent with aesthetic integrity. Malignant magenta was more than just a question of 'colour in the garden'.
Garden History © 2000 The Garden History Society