Access

You are not currently logged in.

Access your personal account or get JSTOR access through your library or other institution:

login

Log in to your personal account or through your institution.

If You Use a Screen Reader

This content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.

"Survival Is Your Business": Engineering Ruins and Affect in Nuclear America

Joseph Masco
Cultural Anthropology
Vol. 23, No. 2, Imperial Debris (May, 2008), pp. 361-398
Published by: Wiley on behalf of the American Anthropological Association
Stable URL: http://www.jstor.org/stable/20484507
Page Count: 38
  • Read Online (Free)
  • Download ($15.00)
  • Subscribe ($19.50)
  • Cite this Item
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
"Survival Is Your Business": Engineering Ruins and Affect in Nuclear America
Preview not available

Abstract

In this article, I interrogate the national cultural work performed by the mass circulation of images of a nuclear-bombed United States since 1945. It argues that the production of negative affect has become a central arena of nation-building in the nuclear age, and tracks the visual deployment of nuclear fear on film from the early Cold War project of civil defense through the "war on terror." It argues that the production and management of negative affect remains a central tool of the national security state, and demonstrates the primary role the atomic bomb plays in the United States as a means of militarizing everyday life and justifying war.

Page Thumbnails

  • Thumbnail: Page 
[361]
    [361]
  • Thumbnail: Page 
362
    362
  • Thumbnail: Page 
363
    363
  • Thumbnail: Page 
364
    364
  • Thumbnail: Page 
365
    365
  • Thumbnail: Page 
366
    366
  • Thumbnail: Page 
367
    367
  • Thumbnail: Page 
368
    368
  • Thumbnail: Page 
369
    369
  • Thumbnail: Page 
370
    370
  • Thumbnail: Page 
371
    371
  • Thumbnail: Page 
372
    372
  • Thumbnail: Page 
373
    373
  • Thumbnail: Page 
374
    374
  • Thumbnail: Page 
375
    375
  • Thumbnail: Page 
376
    376
  • Thumbnail: Page 
377
    377
  • Thumbnail: Page 
378
    378
  • Thumbnail: Page 
379
    379
  • Thumbnail: Page 
380
    380
  • Thumbnail: Page 
381
    381
  • Thumbnail: Page 
382
    382
  • Thumbnail: Page 
383
    383
  • Thumbnail: Page 
384
    384
  • Thumbnail: Page 
385
    385
  • Thumbnail: Page 
386
    386
  • Thumbnail: Page 
387
    387
  • Thumbnail: Page 
388
    388
  • Thumbnail: Page 
389
    389
  • Thumbnail: Page 
390
    390
  • Thumbnail: Page 
391
    391
  • Thumbnail: Page 
392
    392
  • Thumbnail: Page 
393
    393
  • Thumbnail: Page 
394
    394
  • Thumbnail: Page 
395
    395
  • Thumbnail: Page 
396
    396
  • Thumbnail: Page 
397
    397
  • Thumbnail: Page 
398
    398