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The Material Poetry of Acting: "Objects of Attention," Performance Style, and Gender in The Shining and Eyes Wide Shut

SHARON MARIE CARNICKE
Journal of Film and Video
Vol. 58, No. 1/2 (SPRING/SUMMER 2006), pp. 21-30
Stable URL: http://www.jstor.org/stable/20688513
Page Count: 10
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The Material Poetry of Acting: "Objects of Attention," Performance Style, and Gender in The Shining and Eyes Wide Shut
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