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TEORIE E TIPOLOGIE DEL SUBLIME MUSICALE NELLA SECONDA METÀ DEL SETTECENTO: PRESUPPOSTI ESTETICI ED ATTEGGIAMENTI RICETTIVI

Michela Garda
Revista de Musicología
Vol. 16, No. 5, Del XV Congreso de la Sociedad Internacional de Musicología: Culturas Musicales Del Mediterráneo y sus Ramificaciones: Vol. 5 (1993), pp. 3070-3088
Stable URL: http://www.jstor.org/stable/20796914
Page Count: 19
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Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
TEORIE E TIPOLOGIE DEL SUBLIME MUSICALE NELLA SECONDA METÀ DEL SETTECENTO: PRESUPPOSTI ESTETICI ED ATTEGGIAMENTI RICETTIVI
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