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Process as Means and Ends in Minimalist and Postminimalist Music
Galen H. Brown
Perspectives of New Music
Vol. 48, No. 2 (SUMMER 2010), pp. 180-192
Published by: Perspectives of New Music
Stable URL: http://www.jstor.org/stable/23076970
Page Count: 13
You can always find the topics here!Topics: Musical aesthetics, Minimal music, Music composition, Aesthetics, Musical chords, Music, Composers, Conceptual art, Musical performance, Audiences
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