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Process as Means and Ends in Minimalist and Postminimalist Music

Galen H. Brown
Perspectives of New Music
Vol. 48, No. 2 (SUMMER 2010), pp. 180-192
Stable URL: http://www.jstor.org/stable/23076970
Page Count: 13
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Process as Means and Ends in Minimalist and Postminimalist Music
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