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Journal Article

AMBIGUITY IN REMBRANDT'S BOSTON "ARTIST IN HIS STUDIO"

Paul Barolsky and Lawrence Goedde
Source: Notes in the History of Art
Vol. 30, No. 4 (Summer 2011), pp. 43-45
Stable URL: http://www.jstor.org/stable/23208498
Page Count: 3

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Topics: Abstract art, Ambiguity, Easels, Theater
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Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
AMBIGUITY IN REMBRANDT'S BOSTON "ARTIST IN HIS STUDIO"
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