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AMBIGUITY IN REMBRANDT'S BOSTON "ARTIST IN HIS STUDIO"
Paul Barolsky and Lawrence Goedde
Source: Notes in the History of Art
Vol. 30, No. 4 (Summer 2011), pp. 43-45
Published by: The University of Chicago Press
Stable URL: http://www.jstor.org/stable/23208498
Page Count: 3