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Why the Novel?: Toward a Reconsideration of Le Romanesque in Flora Tristan's "Méphis ou le prolétaire"
Jeanne M. Kabulis
Nineteenth-Century French Studies
Vol. 27, No. 1/2 (Fall—Winter 1998-1999), pp. 38-50
Published by: University of Nebraska Press
Stable URL: http://www.jstor.org/stable/23537556
Page Count: 13
You can always find the topics here!Topics: Novels, Literary criticism, Novelists, Narratives, Written correspondence, Grandfathers, Authors, Love, Love relationships, Gendered discourse
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Flora Tristan's only novel, Méphis ou le prolétaire (1838) is of particular interest considering the author's indictment of fiction in the preface to Pérégrinations d'une paria (1838). Tristan's novel represents then a departure from the form of her previous writings as well as from other feminine social novels of the time. Tristan uses her "meta novel" to explore the reasons for the genre's devalorized status. In this reading, I focus on the embedded narrative of Mariéquita's story, as it constitutes a candid glimpse of the feminine experience, the complexity of representing it and a paradoxical defense of le romanesque.
Nineteenth-Century French Studies © 1998 University of Nebraska Press