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Review

Reviewed Work: The Simplest of Signs: Victor Hugo and the Language of Images in France, 1850-1950 by Timothy Raser
Review by: Laurence M. Porter
Nineteenth-Century French Studies
Vol. 34, No. 3/4 (SPRING SUMMER 2006), pp. 422-425
Stable URL: http://www.jstor.org/stable/23537680
Page Count: 4
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