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The End of Art?
History and Theory
Vol. 37, No. 4, Theme Issue 37: Danto and His Critics: Art History, Historiography and After the End of Art (Dec., 1998), pp. 17-29
Stable URL: http://www.jstor.org/stable/2505393
Page Count: 13
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This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed. The author also contends that Danto's end-of-art thesis is better construed as a specimen of art criticism than as an example of the speculative philosophy of art history.
History and Theory © 1998 Wesleyan University