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Formen neuer Tonalität in der zweiten Hälfte des 20. Jahrhunderts

Frank Hentschel
Archiv für Musikwissenschaft
63. Jahrg., H. 2. (2006), pp. 67-93
Published by: Franz Steiner Verlag
Stable URL: http://www.jstor.org/stable/25162357
Page Count: 27
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Formen neuer Tonalität in der zweiten Hälfte des 20. Jahrhunderts
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Abstract

In spite of the established view in music historiography that new music in the twentieth century is essentially characterised by atonality, it is notable that explorations into new models of tonality stand out as a significant feature of new music in the second half of the century. This premise is demonstrated by selected examples which, due to their differing approaches, are subdivided into systematic groups that allude either to functional tonality or historical models of tonality, or create new directions in tonal composition via extreme reduction.

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