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The Final Frontier Is Queer: Aberrancy, Archetype and Audience Generated Folklore in K/S Slashfiction

P. J. Falzone
Western Folklore
Vol. 64, No. 3/4, Film and Folklore (Summer - Fall, 2005), pp. 243-261
Stable URL: http://www.jstor.org/stable/25474751
Page Count: 19
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The Final Frontier Is Queer: Aberrancy, Archetype and Audience Generated Folklore in K/S Slashfiction
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