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Minimal Structures within a Song: An Analysis of "All of Me"
Frank J. Barrett and Ken Peplowski
Vol. 9, No. 5, Special Issue: Jazz Improvisation and Organizing (Sep. - Oct., 1998), pp. 558-560
Published by: INFORMS
Stable URL: http://www.jstor.org/stable/2640294
Page Count: 3
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