Access

You are not currently logged in.

Access JSTOR through your library or other institution:

login

Log in through your institution.

If You Use a Screen Reader

This content is available through Read Online (Free) program, which relies on page scans. Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
Journal Article

The Paradoxes of Film and the Recovery of Historical Memory: Vicente Aranda's Works on the Spanish Civil War

Stephen Schwartz
Film History
Vol. 20, No. 4, Politics and Film (2008), pp. 501-507
Published by: Indiana University Press
Stable URL: http://www.jstor.org/stable/27670749
Page Count: 7

You can always find the topics here!

Topics: Movies, Civil wars, Communism, Paradoxes, Recovered memory, Labyrinths, Volunteerism, Novels, War, Actors
Were these topics helpful?
See somethings inaccurate? Let us know!

Select the topics that are inaccurate.

Cancel
  • Read Online (Free)
  • Download ($15.00)
  • Subscribe ($19.50)
  • Add to My Lists
  • Cite this Item
Since scans are not currently available to screen readers, please contact JSTOR User Support for access. We'll provide a PDF copy for your screen reader.
The Paradoxes of Film and the Recovery of Historical Memory: Vicente Aranda's Works on the Spanish Civil War
Preview not available

Abstract

This essay contrasts the popular and artistically-respected films of the Catalan director Vicente Aranda, who is considered friendly to the legacy of Spanish anarchism, with other recent and past films on the Spanish civil war of 1936-39. It describes and evaluates Aranda's 'war trilogy:' Si te dicen que caí, 1989, (The Fallen, re-released as Aventis), the TV serial Los jinetes del alba, 1990 (Riders of the Dawn), and Libertarias, 1996.

Page Thumbnails

  • Thumbnail: Page 
[501]
    [501]
  • Thumbnail: Page 
502
    502
  • Thumbnail: Page 
503
    503
  • Thumbnail: Page 
504
    504
  • Thumbnail: Page 
505
    505
  • Thumbnail: Page 
506
    506
  • Thumbnail: Page 
507
    507